Organized conceptually and thematically, this book provides a much-needed overview of the field, drawing on work in literary and cultural studies as well as Related to ideas of the great, the awe-inspiring and the overpowering, the sublime has been debated for centuries amongst writers, artists, philosophers and theorists and has become a complex yet crucial concept in many disciplines.
Modernist movements radically transformed the late nineteenth- and early twentieth-century literary establishment, and their effects are still felt today. Modernism introduces and analyzes what amounted to nothing less than a literary and cultural revolution.
In this fully updated, expanded, and The aphorism captures a huge amount of truth, meaning or wit in a very short statement. This concise guide offers an From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation This new edition includes a new introduction and conclusion as well as extensive updates throughout.
The New Critical Idiom
Topics covered include globalization Genre is a key means by which we categorize the many forms of literature and culture, but it is also much more than that: Want to Read Currently Reading Read. Refresh and try again. Open Preview See a Problem? Thanks for telling us about the problem. Return to Book Page.
Preview — The Author by Andrew Bennett. The Author by Andrew Bennett. This volume investigates the changing definitions of the author, what it has meant historically to be an 'author', and the impact that this has had on literary culture. Andrew Bennett presents a clearly-structured discussion of the various theoretical debates surrounding authorship, exploring such concepts as authority, ownership, originality, and the 'death' of the author This volume investigates the changing definitions of the author, what it has meant historically to be an 'author', and the impact that this has had on literary culture.
Andrew Bennett presents a clearly-structured discussion of the various theoretical debates surrounding authorship, exploring such concepts as authority, ownership, originality, and the 'death' of the author. Accessible, yet stimulating, this study offers the ideal introduction to a core notion in critical theory. Paperback , pages.
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- The Author.
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It's so dense, but also a very thorough and accessible guide to the problem of The Author. It reflects on and traces the origins of questions of what the author is, how that particular role has changed through time, and what these changes have meant for the way we understand literature. Humanism by Tony Davies. Ideology by David Hawkes. Intertextuality by Graham Allen. Irony by Claire Colebrook.
Literature by Peter Widdowson. Magic al Realism by Maggie Ann Bowers.
The Author by Andrew Bennett
Metaphor by David Punter. Mimesis by Matthew Potolsky. Modernism by Peter Childs. Myth by Laurence Coupe.
Series by cover
Parody by Simon Dentith. Pastoral by Terry Gifford. The Postmodern by Simon Malpas. Rhetoric by Jennifer Richards. Romance by Barbara Fuchs.
62 Series Titles
Romanticism by Aidan Day. Science Fiction by Adam Roberts. Sexuality by Joseph Bristow.