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Routledge, McGrath, John. A Good Night Out.


Audience, Class and Form London: Nick Hern, Reid, Trish. Palgrave, Shepherd, Simon. However, if you are interested in complementary material, these texts will expand your knowledge and discussion of the essential reading list. Contemporary British and Irish Theatre and Performance 5th — 17th August This two-week course provides a challenging, dynamic and diverse introduction to contemporary British and Irish theatre with a global impact.

Contemporary British Theatre: Breaking New Ground (Electronic book text)

The Theatre and Performance course offers: Prominent academics, theatre practitioners, and critics lead interactive workshops in areas of drama theory and practice Lectures: Students attend select Scottish Literature lectures to gain additional perspectives in critical analysis of dramatic texts Panel discussion: Contemporary Theatre Review , 21 4 , In Rehearsal with theatre O.

Mermikides, A, Smart, J, ed. Theatre Censorship in Britain: Silencing, Censure and Suppression. Blackwell Publishing, , pp.

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Sex, Violence and Censorship: Theatre Research International , 32 3 , Fingers on the collective pulse? Frantic Assembly and the future of theatre.

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Performance Research , 9 3 , Towards a Redefinition of Censorship. Censorship and Cultural Regulation in the Modern Age.

Breaking New Ground

Amsterdam and New York: The Allure of the Archive. Poetics Today , 24 4 , Anti-theatrical Prejudice and the Persistence of Performance: Performance Research , 7 4 , Performance Theory, Practice, and the Intrusion of the Real. Scanlon, J; Waste A, ed.